These works are printed on thick, velvety Korean mulberry paper—hanji—a gift from a dear friend.
Each print becomes a tender, sculptural object, holding the textures of fiber, breath, and the quiet inheritance of materials carried across relationships.

The images come from places at the edge of change: the eroding North Woods of Lake Superior, rare bird specimens housed in the Field Museum’s natural history archives, and other ecological thresholds where presence meets disappearance.

This collection is an offering of devotion—photographs that behave like relics, asking us to slow down, listen closely, and honor what remains.

If this work resonates, please feel free to inquire.