My work is organized around sustained, uninterrupted attention. Rather than producing images or objects oriented toward rapid legibility, I construct material, temporal, and spatial conditions in which perception is permitted to unfold without instruction or urgency.

I work with light, water, paper, duration, and materially responsive processes, including 19th-century photographic technologies such as wet-plate collodion, alongside cameraless and handmade paper practices. These processes are engaged not for their historical referentiality, but for their insistence on slowness, contingency, and environmental responsiveness. Often the work commits to a single site, material, or constraint long enough for attention itself to become perceptible.

Across photography, collodion on glass, cameraless processes, handmade paper, installation, and participatory formats, I privilege material agency over authorial control. The work resists immediacy as both an aesthetic and a cultural demand, instead cultivating conditions for non-instrumental encounter, embodied presence, and subtle transformation. This approach is grounded in an ethic of permission rather than extraction, allowing bodies, materials, and viewers to remain autonomous within the work.

Whether experienced individually or collectively, the work does not require performance, interpretation, or resolution. It offers sustained conditions of encounter in which meaning emerges through duration and continued presence.

Biography